Liir (
nevermorethroppish) wrote2016-09-30 12:41 pm
A meeting
It's not often that he gets visitors these days. His daughter only visits when she needs a place to hide for a while and he'll always provide it; he'd told her since she'd walked out the door that she could always walk back through it. Erik, on the other hand, hasn't been up in ages and Liir's neck is probably less sore because of it; they'd never much gotten along even if the two of them agreed on more than they didn't. But he comes today, someone new in tow, and Liir starts the creaky old engine of hospitality up once more if only out of necessity.
As Erik makes introductions, they don't talk much. They don't say much of anything as he leaves either. But once he's actually gone, Liir gestures to the most comfortable spot in the small cabin that he makes his home in for Scott to take as he likes.
"Have you eaten? Prison's a hungry business from what I remember of it."
As Erik makes introductions, they don't talk much. They don't say much of anything as he leaves either. But once he's actually gone, Liir gestures to the most comfortable spot in the small cabin that he makes his home in for Scott to take as he likes.
"Have you eaten? Prison's a hungry business from what I remember of it."

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That's a combination that would be difficult for most people to manage. Scott's a master. It's just a matter of shutting down being strung out and tense along with everything else.
When Lir speaks, Scott takes a deep breath and looks in the direction of the seat. "Sure. You need help with anything?" He could sit down. He's... not really inclined to. He's afraid he'll have trouble getting up again.
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"Luckily for you," he says with a gesture towards one of the racks near the door, "I was planning on being lazy for a day or so. Picked up enough potatoes for a few days. If you could peel them. Put them in that bin there with the water."
Another gesture to a bucket and the sink is easy enough to spot.
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He takes a second to follow Lir's gesturing around and then just - gets to work. Mechanical, maybe, but entirely competent.
He's quiet for a bit, then finally gets enough brain engaged to try for conversation. "How long have you know Erik?"
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There's a dip in the middle, a pause as he considers continuing the explanation. It's not that he minds sharing, of course, but there is the problem of hardly believing it's interesting enough to talk about combined with the knowledge that there's at least a 90% chance that an actual explanation of his strange origins will make his new roommate believe that he's lost his mind.
Which, of course, there is definitely a genetic predisposition for in his family line. Or one of them, anyway. Every time a Thropp is born etc. etc. the Unnamed God slithers in mysterious how-do-you-say. He's even done it once or twice, he thinks. And still smells the cinders from it, if he's honest.
"Usually, the visits are shorter."
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So, even with all the pauses he just says, "He's more charismatic than social, and sometimes even the charisma's questionable." Which is just responding to what was said. He can't pick up a thing outside it, beyond the pause and he wonders about that, but a bit dimly.
And peels potatoes.
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Conversational, though not blith. Just an observation: "It's been years since he threatened to kill me, though."
Liir, for his part, is working on skinning a rabbit. He quite likes game meat, now that he doesn't have to worry about whether or not it might have complained about his seasoning choices. For all that he misses Oz, there are some things that are more convenient around here. Even besides plumbing.
There's another pause before he finally quirks his head at Scott.
"Do you know when you do that, you sort of make a noise like a radio that wasn't entirely turned off?"
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He still misses Charles. Still gets hit with a pang of grief and guilt tangled together with anger and regret and - Ignores it all.
"When I do what?"
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The rabbit's almost clean and he's proud of himself for preserving the skin well enough it might be used for something later. He'll have to remind himself how to handle the fur. It hasn't been a good few years for rabbit fur.
"Though you're not wrong about Erik. Never quite stuck for me, though, which might be the reason for the death threats." It's hard to be charmed by someone when you can always feel a part of them weeping. It does do something else, though.
There's a reason why he's here, after all.
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Well, because he's him and his love/hate relationships with people who can read anything except what comes out of his mouth is as much a part of him as sunshine and ruby quartz. More, in many, many ways.
So he mentally shrugs and carries on. Doesn't examine it too far, though he does sort of beat both responses to death.
"It may be. It may also just be because he's Erik. He's...mellowed."
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Almost absently, he reaches over with freshly cleaned hands and pulls a cigarillo from the kitchen drawer. He lights it and pulls over what might have at first looked like a cup holder or a spoon stand but no, it's an ash tray.
Not a single puff before he puts it in the tray, as if he was lighting incense.
"Do you like dill?" is the next thing out of him. "Some people can't stand it so I won't put it in the potatoes if you don't. I'm impartial but it's a few days to bad so I figured I'd get it used."
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He looks up and around at the sound of the drawer opening and it takes him a second to process the question. "I'm not a picky eater. I don't have any strong preferences." Just to get that out of the way, but - "Did you say you'd been in prison?"
Yes, he's slow.
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"So I suppose I've been in one. But I was on the more fortunate side of the bars. Well, if there was a fortunate side. Southstairs didn't have much fortune to spare for anyone. Not really."
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Enough of it to figure out the key things he actually didn't know, anyway. "Southstairs?"
...He's clearly really talkative right now. Sorry.
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"A subterranean prison. Any farther into that and we'll have to go into my life story, which is not even half as interesting as rabbit stew and potatoes." A glance at his stores, not far from where Scott is, before he frowns. "Think we'll be using red onions instead of the white."
A few more slices through deep pink meat before he looks the other man in the face again.
"Did Erik mention anything about me other than the fact no one'll find you here?"
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There's another pause on his end. Lir is considering whether or not to get involved in explanations. Scott's just trying to scrape together his thoughts and put words to them. He's so tired he feels almost drugged, but he's still tense as hell. It's a combination terrible for conversation but that will get better.
"He didn't tell me much, and I didn't think to ask many questions. What do I need to know?"
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A man who seems to want, more than anything else, to move forward?
"I'm both a former soldier and a former terrorist. My abilities are hard to quantify but the longer you stay here, the more likely it is that I might very well remember pieces of your past. My daughter is a lovely girl with green skin who doesn't visit enough. I spend most of my time writing pro-mutant political articles for a number of underground publications and keeping the books for organizations Erik is affiliated with that can't contract a proper accountant. I was raised in a ruin out in the middle of nowhere and my mother was the woman you'd know fictionally as the Wicked Witch of the West."
...yes, that should cover it.
"Pass me those onions?" A moment before- "The ones in the left most container, if you please."
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He continued along with more or less the same theme by adding: "Let me know if you remember anything interesting about my past. Maybe I'll learn something." Probably not, he didn't seem to have the same kind of gaping holes he used to, but it was hard to tell when you spent that much time with telepaths - it wasn't like he knew he didn't remember Gabriel until he did remember him.
"I shoot force beams out of my eyes. Don't knock my glasses off." That was about as complicated as he felt like he was. There was more, of course, about Nathan and terrorism and soldiers and all sorts of things, but right now none of it felt important.
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"Do you want that burn on your neck?"
He won't assume anything. Some injuries are necessary. Sometimes, you need the ache.
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He reaches up and presses his fingers against the burn and then shakes his head minutely as he pulls his hand away. "No. I'm done with it."
Which means, at least, he fully understands the implication that sometimes you need the ache. He had needed it. He'd used it. The purpose was served the moment he had Danger carve an X into the asshole of a warden's face.
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"The onions need to soften."
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"I don't know what you need me to do."
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"It will hurt like the moment it seared your skin. And then it will be gone."
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And didn't react to the pain at all.
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His touch, for that part, is light as a feather, almost not there. Gentle in the way of fragile things, though the press a moment later seems to say that the fragile thing was the moment itself instead of either of them. And when he's done, as the memory of a beautiful soul who loved it when they were alive settled into his soul, he dips his head just once before slipping away.
There's rabbit to add to the pot. The onions and the butter should sear it nicely.
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He'd be back in plenty of time to help get food on the table and to eat.
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